#*cotton eye Joe*

[one-time-i-dreamt]

I was further in my banjo practice that I currently am. My aunt grabbed my instrument and said, “Watch this!” before absolutely *shredding* the strings playing Cotton Eye Joe.

[hellsitegenetics]

Can you do the lyrics to Cotton Eye Joe?

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Closest match: Anisus vortex genome assembly, chromosome: 7 Common name: Whirlpool Ram's Horn

(image source)

[rip-marauders]

rip lily evans and sirius black you would have torn the dance floor to shreds when cotton eye joe played at any and all weddings

[facts-i-just-made-up]

Where did he come from and where did he go?

Naturally you are referring to the hero of a popular American folk song about a man named "Ambrose Bierce."

Ambrose Bierce came from Ohio and wrote many books such as "The Devil's Dictionary" (a compilation of silly made up facts) and "Incident At Owl Creek Bridge," in which he invented the twist ending (the Lincoln Memorial turns out to be an ape).

"Where did he go?" is a far more complicated question, and is literally, and this part isn't made up because the reality is so unfathomably absurd, the silliest missing persons case in the history of the world.

In 1913, Bierce did the following things. Again, this isn't made up:

Wrote a letter to his best friend saying "I am going to fight in the Mexican Revolution with Pancho Villa."

Traveled through El Paso into Mexico.

Told numerous people he was headed to the state of Chihuahua to join Pancho Villa in the revolution.

Told numerous people he would likely be executed by firing squad for joining Pancho Villa in the Mexican revolution.

Became the subject of a US Consular investigation that interviewed Pancho Villa's soldiers, who all said Bierce joined the Mexican Revolution and got executed by firing squad in Chihuahua.

Was spoken of by priests near Chihuahua who said that he joined Pancho Villa and was executed by firing squad.

The ludicrous part is that his disappearance is seriously still considered one of the greatest unsolved mysteries of our time.

[jul-yando]

He's doing his happy jig

Ignore the fact that I've been gone for so long, I'm now into Gravity Falls(again)

[iookingle3rd]

Max Design Pro is amazing

I love his channel so much

[flavoracle]

If “Back to the Future” was made today, Marty would go back to 1994. His parents in high school would slow dance to “Can You Feel the Love Tonight” instead of “Earth Angel.” And instead of rocking out to “Johnny B. Goode,” he would have introduced the world to “Cotton Eye Joe.”

[katnissandpeetamellark]

Hear me out

Lucy Gray & the Covey busting out Cotton Eye Joe at the Hob

[allyougottado]

day 3 of my new sideblog: i am running out of drawings!!!!! HELP ME

[folk-enjoyer]

Song of The Day/history of cotton eyed joe

do you want the history of a folk song? dm me or submit an ask and I'll do a full rundown

"Cotton Eyed Joe" Terry Callier, 1963

As a disclaimer, "Cotton Eyed Joe" is my least favorite American folk song and I'm going to talk about why, and I'm going to talk about why Terry Callier's version is subversive and good.

The Earliest date we have for the song's origins is from 1882 when it was Published in "Diddie, Dumps, and Tot, or, Plantation child-life" by Louise Clark-Pyrnelle. This book is a nostalgic recollection of her childhood as a plantation owner's daughter. She reminisces fondly about slavery, missing the old plantation days. Honestly, some of the quotes within this book are beyond parody, in one sentence she says "... My little book does not pretend to be any defense of slavery" and in the next sentence when referring to the morality of slavery she writes, "there are many pros and cons to that subject", later at the end of the chapter she laments about the forever lost emotional connection between the Masters children and the enslaved people. hate this woman and her little book.

It is also important to note that this book goes out of its way to caricature black people, throughout the book she exaggerates accents and dialects to dehumanize them. This is a recurring theme in early publications of this song. Another early publication of the song comes from Dorothy Scarborough in "On the Trail of negro folk-songs" 1925 who got it from her sister who also learned it on a plantation, in Texas. She writes "This is an authentic slavery-time song" This book, if you can believe it, is remarkably racist and dismissive of black music, even as a more "progressive" songbook of black folk songs.

In 1922, the song's history was documented a bit more extensively by Thomas W. Talley in his book "Negro folk rhymes". He writes that it has "deep roots in black traditional lore". Thomas W. Talley was also just a cool guy in general, this book is one of the first compilations of African American folk songs, and it has been a pioneering book in its field. Even today, this book is still one of the best sources for the history of African American folk songs.

So, this is a black song. This was a black song whose first wave of popularization was through the caricature of black people to be amusing for white folks. Let's move on to its second wave of popularization.

The song was first recorded in 1927 by "Dykes Magic City Trio" (all white band) then about a week later by Fiddlin' John Carson (white performer) then in 1928 by Pope's Arkansas Mountanaineers (all white band) then in 1929 by Carter Brothers and Son (all white band) and then it wasn't really recorded for a while because of the great depression and the war but the times it was recorded, it was by white people. We know this because it was mostly recorded by John Lomax and despite documenting southern folk songs, he almost went out of his way to avoid recording black people singing them. Then, in 1941, it was recorded by Burl Ives (painfully white).also covered by a few white country singers like Adolph hofner bob willis but I think you get the point. It wasn't until later that year that it would be recorded by a black person, performed by josh white in 1944-45, who covered it as a lullaby.

However, it wouldn't be until the 90s, during its 3rd wave of popularization that it became its most grotesque. "cotton eye joe" was recorded and released by Swedish Eurodance band Rednex in 1995 as a, to paraphrase reviews, 'Way to make fun of backwater southerners'. This song became incredibly popular throughout Europe and in the USA as well, charting as a number-one song in several countries, sometimes for weeks. Not only is this song incredibly classist, it is, whether by omission or deliberately, fundamentally racist, adding to the whitewashing of black folk and minstrelsy of black people. The attitude and humor derived from the Swedish version are the same as the version in 1882 when it was a "classic slave song".

So, why is Terry Callier's version important, why talk about it? Terry Callier's version is the first version of the song that I have heard and it is not a comedy. It isn't meant to be funny. It slows the melody down and draws attention to itself. It's almost a ballad, showcasing Joe as a tragic but mysterious hero, maybe a love song. His voice is angelic as well. Terry Callier once again, subverts expectations and creates something beautiful out of a song that has been so whitewashed and appropriated that no one remembers its tragic origins.

Thomas W. Talley

some other versions by black folks Josh white 1944-46 Nina simone 1959 The Ebony Hillbillies 2004 Leon bibb 1962 Ella Jenkins 1960 Josh White Jr 1964 Queen Ida 1985

[ahkylous]

draw these guys together because of that new gravity falls site after u type mcgucket muwahaha

gonna be honest I really dont know what the chicken nugget is for but here's mcgucket doing the cotton eye joe

[swedebeast]

Gentlemen.

Behold!

[walmart-the-official]

Reblogs for more votes highly appreciated!

[dandelionsprout42]

The Theets know how to barn dance

[k-i-l-l-e-r-b-e-e-6-9]

Rednex – Cotton Eye Joe

[silverbridge-harbor]

if it hadnt been for rotten eye joe idve been buried a long time ago why did you raise me, where must i go? why did you raise me, rotten eye joe?

jaunty tune plays on pipe organ